marinni (marinni) wrote in art_links,

Master MZ . Гравюры- 1500

Master MZ .German- 1500
Also Known As
Master MZ; Monogrammist MZ; Matthäus Zasinger (?); Matthäus Zaisinger (?); Matheus Zinck (?)
Немецкий гравер с инициалами MZ. Идентификация Monogrammist МZ с ювелиром Matthäus Zasinger, or Zaisinger, была впервые упомянута в XVII веке и является предметом обсуждений с тех пор. Из-за сходства между стилем произведения мастера МZ и МS (Fl. 1521), было высказано мнение, что их работы - одна и та же рука. Ни одно из этих или других предлагаемых тождеств еще не признано убедительным, и путаница при атрибуции существует.

Master MZ (Print made by); Memento Mori; a nude woman holding a sundial, standing on a skull; with vast landscape behind. c. 1500-02

Master MZ (Print made by); The greeting; a young man with sword, turned to the right, holding a woman's hand; with banderole without text. c. 1500-...

Master MZ (Print made by); The pair of lovers; a young couple seated, gazing tenderly at each other, within a landscape with lake. c. 1500

Solomon's idolatry; the king kneels in a room before the statue of the idol to the right, while one of his wives stands behind, putting one hand on his back and pointing to the statue. 1501

St Ursula; the saint stands within a landscape, turned to the right, holding a book and arrow. c. 1500-03

St Margaret; within a landscape the saint stands in the centre, holding a staff, with the dragon at her feet to the left. c. 1500-03

St Catherine; the saint standing within a landscape, turned to the left, holding a book and sword; the broken wheel lies at her feet to the left. c. 1500

St Sebastian; the saint bound to a log, pierced by three arrows; slightly damaged. c. 1500

Knight and Lady on horseback; riding towards the right; landscape with lake and town in the background. c. 1500-03

The embrace; a couple, standing in a parlour to the left; suspended from the ceiling is a "Lüsterweibchen" (chandelier with female torso and stag antlers). 1503

The martyrdom of St Barbara; within a landscape, the saint kneels in the central foreground, her head being pushed down by her executioner, who is raising his sabre with his other hand. c. 1500-03

The beheading of St John the Baptist; the executioner stands to the right before St John in the centre, whose head he presents to Salome to the left on a tray; Herodias stands behind her daughter; landscape with lake in the background; two angels at top are lifting the martyr's soul upwards. c. 1500

The four soldiers; within a landscape, four warriors are standing next to one another, equipped with lance, banner, drums and flute. c. 1500

The King's three sons shooting at their father's corpse; the dead king's body is bound to a tree to the left and pierced by two arrows; the third son, who refused to shoot, is being crowned at the right by Solomon (?), depicted on horseback. c. 1500

The Virgin and Child by the fountain; catching water with a pitcher from a spout; landscape with lake and village in the background. 1501

The martyrdom of St Catherine; the saint kneels in the central foreground, turned to the right, with the emperor Maxentius, an apparitor and her executioner standing behind; to the right are three angels without wings, holding a drapery; in the background is a vast landscape with lake, buildings, equestrians and the destroyed wheel; two angel fly above; with defects. c. 1501

The woman with an owl (light and darkness); a woman standing in the centre, protecting an owl with her dress to the left; she turns her head toward the lightning bolts and banderole with text at the upper right; within a landscape with lake. 1500

St George; the knight depicted on horseback, with raised sword, underneath the horse lies the dragon, pierced by a lance; the princess with lamb stands on a hill in the left background. c. 1500

Aristotle and Phyllis; the philosopher, carrying Phyllis on a piggyback ride around his garden, which is enclosed by a low wall in the background; two witnesses stand at the gate to the left. c. 1500-03

The tournament; several knights on horseback are fighting in the foreground on a plaza, accompanied by musicians to the left; in the background are several buildings, with spectators on their balconies; partly damaged. 1500

The grand ball; several couples dance in the foreground of a ballroom, musicians and jesters are standing on balconies on either side of the room; a noble couple plays cards within an oriel in the background; the exterior town is seen through several windows. 1500

c. 1505
Black ink on paper, 259 x 165 mm
Germanisches Nationalmuseum, Nuremberg

Woman Kneeling and Leaning Forward
c. 1500
Ink and brush drawing on paper with greyish green ground, 118 x 140 mm
Staatliche Graphische Sammlung, Munich

Master M.Z.
German, active 1500-1550
The Tournament, 1500

Master M.Z.
German, active 1500-1550
The Warriors, c. 1500

The Ball, 1500

--------------Ars moriendi illustrations-------------------

Impatience, the fourth temptation; the dying man kicking away his two nurses and a maid with a tray with food; a devil next to the upturned table at r; from a series of illustrations to an unidentified Ars Moriendi edition.

Vanity, the fifth temptation; the Virgin, Christ and God looking on as devils bring crowns to the deathbed; from a series of illustrations to an unidentified Ars Moriendi edition.

Despair, the second temptation; the deathbed surrounded by devils reminding the dying man of his sins, at left also a male and female figure; from a series of illustrations to an unidentified Ars Moriendi edition.

Faith offering comfort; the angel at the next to the deathbed; at left Christ, the Virgin, God and a group of saints; from a series of illustrations to an unidentified Ars Moriendi edition.

The angel admonishing against avarice; standing next to the deathbed; behind the dying man Christ on the Cross and the Virgin; the true friends standing at upper left; at lower left another angel shielding the man from his false friends with a shroud; from a series of illustrations to an unidentified Ars Moriendi edition.

The triumph over all temptations at the moment of death; a monk at the bedside with a candle; the man's soul welcomed by a group of angels; Christ on the Cross with the Virgin, St John and a large group of saints at upper left; devils making last, desperate efforts to claim the soul; from a series of illustrations to an unidentified Ars Moriendi edition.

Comfort from impatience; the angel at the dying man's side; on the other side of the bed Christ with the instruments of his Passion; God; St Barbara with the tower; St Catherine (?); and two male saints dressed as (Franciscan?) monks, without attributes; from a series of illustrations to an unidentified Ars Moriendi edition.

А эта гравюра приписывается двум разным мастерам, даже в Британском музее она атрибутируется в двух вариантах:

Print made by Master MZ
St Christopher; the giant carrying the Child with orb through the water; in the background to the right stands the hermit with lantern on the shore; a fish, a mermaid and two fighting tritons are depicted in the water. c. 1500

German engraver, who signed his prints with the initials MZ. The identification of the Monogrammist MZ with the Munich goldsmith Matthäus Zasinger, or Zaisinger (fl. 1498–1555), was first mentioned in the XVIIc and had been a matter of debate since. Due to similarity of style between works by the Master MZ and MS (fl. 1521), it has been suggested that the works are by the same hand. None of these or other proposed identities is yet persuasive.

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